I drew inspiration from a variety of styles, from gothic, minimal, and cinematic. In some of the logos, I incorporated abstract mathematical formulas that referenced the calculations Moriarty would scribble on paper, adding texture and complexity to the design. With others, I created something more restrained and minimal, focusing on memorable letterforms with a subtle nod to Victorian-era gothic, and stylistically hinting at blackletter typography from gothic fonts of the Victorian era, reinterpreted in a modern style.